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Authors

A

Fabiano Alborghetti,

Carole Allamand,

Urs Allemann

B

Guido Bachmann,

Jean-Luc Benoziglio,

Sibylle Berg,

Bern ist überall,

Donata Berra,

Clo Duri Bezzola,

Peter Bichsel,

S. Corinna Bille,

Hans Boesch,

Giovanni Bonalumi,

David Bosc,

Nicolas Bouvier,

Anne Brécart,

Irena Brežná,

Lukas Bärfuss,

Katja Brunner,

Ernst Burren,

Julien Burri,

Roland Buti

C

Arno Camenisch,

Alex Capus,

Maurice Chappaz,

Gaston Cherpillod,

Jacques Chessex,

Anita Siegfried (Text),

Claudia de Weck (Ill.),

Martina Clavadetscher,

David Collin,

Nicolas Couchepin

D

Flurin Darms,

Massimo Daviddi,

Martin R. Dean,

Zora del Buono,

Max Huwyler (Text),

Dieter Leuenberger (Ill.),

Franz Dodel,

Elvira Dones,

Friedrich Dürrenmatt,

Ralph Dutli

E

Dorothee Elmiger,

Lisa Elsässer

F

Urs Faes,

Luisa Famos,

Andrea Fazioli,

Michael Fehr,

Anna Felder,

Felice Filippini,

Catalin D. Florescu,

Eleonore Frey,

Ursula Fricker,

Alexandre Friederich,

Max Frisch

G

Zsuzsanna Gahse,

Katharina Geiser,

Massimo Gezzi,

Andrea Gianinazzi,

Dagny Gioulami,

Eugen Gomringer,

Nora Gomringer,

Roman Graf,

Dana Grigorcea

H

Heinz Helle,

Reto Hänny,

Franz Hohler,

Thomas Hürlimann,

Michael Hugentobler,

Sandra Hughes

I

Felix Philipp Ingold

J

Anja Jardine,

Hanna Johansen

K

Lorenz Pauli (Text),

Kathrin Schärer (Ill.),

Christoph Keller,

Birgit Kempker,

Pascale Kramer,

Thilo Krause,

Agota Kristof,

Tim Krohn,

Robert Walser (Text),

Käthi Bhend (Ill.),

Meral Kureyshi

L

Monique Laederach,

Rolf Lappert,

Doris Lecher,

Pedro Lenz,

Pierre Lepori,

Eva Maria Leuenberger,

Gertrud Leutenegger,

Hugo Loetscher,

Catherine Louis,

Jonas Lüscher

M

Urs Mannhart,

Pietro de Marchi,

Plinio Martini,

Grytzko Mascioni,

Mariella Mehr,

Jérôme Meizoz,

Klaus Merz,

Michel Mettler,

Jörg Müller,

Gianna Molinari,

Perikles Monioudis,

Adolf Muschg

N

Melinda Nadj Abonji,

Andreas Neeser,

Jens Nielsen

O

Giovanni Orelli,

Angelika Overath

P

Rose-Marie Pagnard,

Andri Peer,

Oscar Peer,

Anne Perrier,

Rut Plouda,

Marius Daniel Popescu,

Dubravko Pušek,

Fabio Pusterla

Q

Claudia Quadri

R

Kuno Raeber,

Philippe Rahmy,

Dragica Rajčić,

Ilma Rakusa,

Nicolas Robel,

Antonio Rossi,

Gustave Roud,

Anna Ruchat,

Simona Ryser

S

Catherine Safonoff,

Isolde Schaad,

Hansjörg Schertenleib,

Michail Schischkin,

Hansjörg Schneider,

Kathrin Schärer,

Jürg Schubiger,

Hans Schumacher,

Ruth Schweikert,

Monique Schwitter,

Jon Semadeni,

Tommaso Soldini,

Anna Sommer,

Peter Stamm,

Michael Stauffer,

Bruno Steiger,

Michelle Steinbeck,

Jens Steiner,

Carmen Stephan,

Beat Sterchi,

Martin Suter

T

José-Flore Tappy,

Pierre-Alain Tâche,

Matteo Terzaghi,

Leo Tuor

U

Marie-Jeanne Urech,

Raphael Urweider

V

Aglaja Veteranyi,

Christina Viragh,

Peter von Matt

W

Robert Walser,

Frédéric Wandelère,

Julia Weber,

Peter Weber,

Markus Werner,

Urs Widmer

Z

Mary-Laure Zoss,

Matthias Zschokke

Nora Gomringer

Nachrichten aus der Luft

«Despite everything, this is a love poem because nothing in me wanted any of this».

Nowadays, the high art of love poetry consists in escaping from great examples, yet without ignoring them. There is a fine margin in-between, but it exists, as Nora Gomringer has demonstrated in her most recent poetry volume. Out of this field of emotional and poetic tension, she repeatedly finds surprising words and phraseology for well-known feelings. In “My Husband for a Night”, for example, she celebrates in quick-fire words the fiery night of passion which was inconsequential. And there was no answer to the countless SMS messages, but instead “unerwartet poetisch im Abgang: / inniglich tippt sich honiglich mit / Worterkennung –” (“unexpectedly poetic in decline: / intimate words overtyped with „honey‟ / predictive texting–”)

In this work, love shares an affinity with travel. In her dedication, the author hints at her frequent trips – in all directions. The “Nachrichten aus der Luft” (“News from the Air”) relate to this – namely, the air circulating with and in these poems. The longest piece was composed in 2008 in Novosibirsk about “Dinge ohne Ereignis” (“Things
without happening”) and ultimately ends on a question mark. “Buchstabier-staunend” (“Spelling-in-awe”), the poetical „I‟ traverses through the Cyrillic script “die mir meine Konzentration abverlangt” (“which robs me of my concentration”), thus offering linguistic resistance. And as a certain Victor recounts, this is despite the fact that the Russian language is “durch und durch verletzt” (“wounded through and through”). Here, Nora Gomringer pulls out all the stops: prosaic descriptions alternate with rapid lists and precise street observations. If necessary, she does not avoid the old chestnuts such as in the poem “Kapitulation : Kapiert”: “Als nichts mehr ging / Ging ich.” (“Capitulation: Capice”: “When nothing else helped / I left.”

The author has a passion for antagonism and for anything that does not go with pigeonholing. To highlight this, she draws on all manner of typographical techniques. The individual poems are printed higgledy-piggledy in different scripts across the pages. Nora Gomringer generally strives for non-conformism and resistance in her poetry. Writers are multiplying – unhindered, as stated in the poem “Fressfeinde der Autoren” (“Predators of Authors”). This is at odds with the usual approach to reading, so in this case “wünsche ich mir / Einen Fressfeind statt einer weichen Nische / In der Existenz.” (“I wish for / a predator, instead of a comfortable niche / in existence.” The book is supplied with an audio CD playing back the author‟s precise diction lending her poems their additional emphasis. This is a risky step, as authors‟ readings often tend to be devalued. But Nora Gomringer is a spellbinding interpreter of her own poetry.

(Beat Mazenauer)

Translation of title: News from the Air

Voland & Quist, Dresden 2010

ISBN: 978-3-938424-53-7

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