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Authors

A

Fabiano Alborghetti,

Carole Allamand,

Urs Allemann

B

Guido Bachmann,

Jean-Luc Benoziglio,

Sibylle Berg,

Bern ist überall,

Donata Berra,

Clo Duri Bezzola,

Peter Bichsel,

S. Corinna Bille,

Hans Boesch,

Giovanni Bonalumi,

David Bosc,

Nicolas Bouvier,

Anne Brécart,

Irena Brežná,

Lukas Bärfuss,

Katja Brunner,

Ernst Burren,

Julien Burri,

Roland Buti

C

Arno Camenisch,

Alex Capus,

Maurice Chappaz,

Gaston Cherpillod,

Jacques Chessex,

Anita Siegfried (Text),

Claudia de Weck (Ill.),

Martina Clavadetscher,

David Collin,

Nicolas Couchepin

D

Flurin Darms,

Massimo Daviddi,

Martin R. Dean,

Zora del Buono,

Max Huwyler (Text),

Dieter Leuenberger (Ill.),

Franz Dodel,

Elvira Dones,

Friedrich Dürrenmatt,

Ralph Dutli

E

Dorothee Elmiger,

Lisa Elsässer

F

Urs Faes,

Luisa Famos,

Andrea Fazioli,

Michael Fehr,

Anna Felder,

Felice Filippini,

Catalin D. Florescu,

Eleonore Frey,

Ursula Fricker,

Alexandre Friederich,

Max Frisch

G

Zsuzsanna Gahse,

Katharina Geiser,

Massimo Gezzi,

Andrea Gianinazzi,

Dagny Gioulami,

Eugen Gomringer,

Nora Gomringer,

Roman Graf,

Dana Grigorcea

H

Heinz Helle,

Reto Hänny,

Franz Hohler,

Thomas Hürlimann,

Michael Hugentobler,

Sandra Hughes

I

Felix Philipp Ingold

J

Anja Jardine,

Hanna Johansen

K

Lorenz Pauli (Text),

Kathrin Schärer (Ill.),

Christoph Keller,

Birgit Kempker,

Pascale Kramer,

Thilo Krause,

Agota Kristof,

Tim Krohn,

Robert Walser (Text),

Käthi Bhend (Ill.),

Meral Kureyshi

L

Monique Laederach,

Rolf Lappert,

Doris Lecher,

Pedro Lenz,

Pierre Lepori,

Eva Maria Leuenberger,

Gertrud Leutenegger,

Hugo Loetscher,

Catherine Louis,

Jonas Lüscher

M

Urs Mannhart,

Pietro de Marchi,

Plinio Martini,

Grytzko Mascioni,

Mariella Mehr,

Jérôme Meizoz,

Klaus Merz,

Michel Mettler,

Jörg Müller,

Gianna Molinari,

Perikles Monioudis,

Adolf Muschg

N

Melinda Nadj Abonji,

Andreas Neeser,

Jens Nielsen

O

Giovanni Orelli,

Angelika Overath

P

Rose-Marie Pagnard,

Andri Peer,

Oscar Peer,

Anne Perrier,

Rut Plouda,

Marius Daniel Popescu,

Dubravko Pušek,

Fabio Pusterla

Q

Claudia Quadri

R

Kuno Raeber,

Philippe Rahmy,

Dragica Rajčić,

Ilma Rakusa,

Nicolas Robel,

Antonio Rossi,

Gustave Roud,

Anna Ruchat,

Simona Ryser

S

Catherine Safonoff,

Isolde Schaad,

Hansjörg Schertenleib,

Michail Schischkin,

Hansjörg Schneider,

Kathrin Schärer,

Jürg Schubiger,

Hans Schumacher,

Ruth Schweikert,

Monique Schwitter,

Jon Semadeni,

Tommaso Soldini,

Anna Sommer,

Peter Stamm,

Michael Stauffer,

Bruno Steiger,

Michelle Steinbeck,

Jens Steiner,

Carmen Stephan,

Beat Sterchi,

Martin Suter

T

José-Flore Tappy,

Pierre-Alain Tâche,

Matteo Terzaghi,

Leo Tuor

U

Marie-Jeanne Urech,

Raphael Urweider

V

Aglaja Veteranyi,

Christina Viragh,

Peter von Matt

W

Robert Walser,

Frédéric Wandelère,

Julia Weber,

Peter Weber,

Markus Werner,

Urs Widmer

Z

Mary-Laure Zoss,

Matthias Zschokke

Perikles Monioudis

Im Äther / In the Ether

«The transmitter - again defined by the radio officer as the meaning of the potic line - must supply the word that feeds all the other words in a line with only as much output as necessary and not a bit more.»

The Greeks saw ether as the «quintia essenti», the fifth element, but the substance has since dissipated in natural history and the history of mind. In his lecture on poetics «In the Ether» for the Massachusetts Institute of Technology (MIT), the author and transmitter Perikles Monioudis outlines a short history of the ether in order to evoke another subject matter: poetry. Which, too, concerns itself with voids, empty spaces and elusiveness.
The author is not concerned with the divisions between poetry and science in his juxtaposition of the two, but much rather with what connects them. «Literature as a category of knowledge acquisition,» and the ether as an aura between hard and soft empiricism. Here, science and poetry meet at a third point: in the narrating character of a radio officer who writes poetry and spends most of his time on the high seas.
This radio operator seeks out resonance and frequencies to finally realize that words work like radio signals. In order to save electricity, «the rule of the smallest possible output» applies to signalling, and this is true in a similar way with poetry: the simplest word is the right word – the word that discretely evaporates in the ether.

(Beat Mazenauer, trans. by Simon Froehling)

Rimbaud Verlagsgesellschaft, Aachen 2005

ISBN: 978-3-89086-628-4

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